And while the vast majority of the album is outrageously fantastic, a couple of songs range from so-so, to downright terrible. Interestingly, “Bad Dog No Biscuits” opens up with a Tom Waits cover, eventually spiraling into a maddening reinterpretation. The harmonica featured on “Spokey Dokey” gives the song a bluesy feel, with the lax atmosphere making the track seem completely organic. The mind blowing trombone solo on “Rush” is another highlight of the album, featuring an incredibly versatile musician with a flair for the bombastic and absurd. Little details sparsely added to every song make the album pop. And while nothing can really match the excellence of “Tank!,” the rest of the soundtrack does an excellent job attempting to do so. Being the theme song featured as the opener, it sets the tone for each following episode, as it is the epitome of the frenetic, yet chilled energy of the show. It is safe to say that “Tank!” was Kanno’s greatest contribution to the series. It’s astoundingly catchy, and the individual parts for the horns, strings, and woodwinds have been written in such a way that they seem completely off the cuff, yet meticulously planned. For example, “Tank!” is without a doubt the soundtrack’s most incredible track, featuring bouts of swing and jazz, moving with the pace of a freight train. While this mixture seems gimmicky and convoluted, the end result is something with an obscene amount of character, personality, and variety. It’s a smorgasbord of jazziness, with large doses of big band swing, folk, country, and of course, bebop. While the soundtrack embeds itself into the series, affecting it in many vital ways, it is still a wholly incredible experience on its own. While she has many impressive scores piled onto her résumé, none have yet to, nor may they ever ,surpass her greatest contribution to music in the anime world: Cowboy Bebop.
However, her largest contributions have come in the form of soundtracks. Added to that, Kanno has helped to launch the careers of many aspiring J-Pop musicians, and even has work featured in advertisements. She also leads The Seatbelts, a grandiose big band swing act. Being at the helm of several popular television series, such as Macross, Ghost in the Shell: Stand Alone Complex, and Wolf’s Rain, the forty-six year old Japanese composer has created quite a name for herself. Yoko Kanno is the first and last word on anime and video game soundtracks, with her astounding vision and creativity being prevalent in nearly everything she composes. The soundtrack is so wonderful, so groundbreaking, and so unique because of one woman: Yoko Kanno. Everything from the story and mood, right down to the episode titles is affected by music. If one were to have never watched the series, it would be difficult to gauge the soundtrack’s importance, and the impact it has on virtually every aspect of the series. Sure it truly is great on its own merits, but there is something special, something staggeringly profound about the music. What separates Cowboy Bebop from the glut of mediocre, poorly thought out anime so prevalent today, is the incredibly diverse soundtrack.
#Cowboy bebop tank sheet music trombone series
Although it has all the makings of a groundbreaking, wonderful anime, it has something especially stunning, something intertwined into the very fiber of what the series actually is: the music. Praised for its humor, likable cast, and poignant story, the series has enjoyed incredible success, even outside of its nation of origin. The band's "Digging my POTATO tour" lasted from the late 2040s to the early 2050s.Review Summary: "I think is time to blow this scene, get everybody and the stuff together.Ĭowboy Bebop has been lauded as one of the greatest animated series to come out of Japan. Their first hit, "Tank!", became a #1 hit on the "Solar System Music Hit Chart" in 2056. The band wears seatbelts while they play, giving rise to the band's name. However, personal information about the band has been very hard to come by. Formed in 2048, they became an immediate hit in the Solar system. The Seatbelts, led by music producer Y.K., have been described as hot, but cool, soft but hard as well as a "potato-like" band.
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